Nakanatsume Rankaku Maki-e Box
Nakanatsume Rankaku Maki-e Box
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This finely made lacquer box is an elegant showcase of traditional Japanese technique, inspired by Takaoka's rich craft heritage.
It features authentic togi-dashi maki-e workmanship using pure gold powder and delicate eggshell inlay to capture the gentle movement of the celestial hagoromo, or feathered robe, in the wind.
The design's subtle contrasts and refined lines highlight the masterful use of gold maki-e and eggshell maki-e, producing a mesmerizing surface rich in detail.
The box measures 6.5 cm × 6.5 cm × 7 cm and is meticulously finished with genuine urushi lacquer, ensuring both durability and a timeless beauty rooted in Japanese tradition.
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Care Instructions
- Gently wipe away fingerprints and smudges using a soft, clean cloth.
- Avoid exposure to direct sunlight or ultraviolet rays, as they may damage the lacquer finish.
Shipping & Returns
- Product ships from Japan via EMS priority shipping.
- All sales are final. In the case of any damage in transit, we are happy to replace the product free of charge.
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Thoughts
I felt a sense of crisis: will my father's skills be lost and will these tools be thrown away? And a sense of mission to carry on my father's skills began to grow.
I feel that the charm of maki-e is that it shows various expressions depending on how the light hits it and the angle from which you view it, and I am attracted to its depth and diversity.
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Techniques
Among the lacquer decorations, I specialize in maki-e lacquer inlay work, and I create a variety of pictures using gold, silver, and abalone. As lacquer does not have a white color, I incorporate a technique called 'eggshell painting' that uses quail eggshells.
This technique is not only suitable for expressing color using the white of eggs, but also for using cracks to express an ephemeral texture. Furthermore, when creating my pieces, I often work late at night to avoid the effects of dust and wind.
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Future
While continuing to hone my skills as a maki-e artist, I also focus on activities that look to the future of traditional industries.
As the 46th chairman of the Takaoka Traditional Industry Youth Association, I work to address the issue of a shortage of people to carry on traditional industries by interacting with other production areas and exchanging techniques.
I also promote the appeal of Takaoka's craftsmanship through ongoing events that can be attended by people of all ages, from the young to the older generation.